A compendium of American musicology essays in honor of John F. Ohl

Cover of: A compendium of American musicology |

Published by Northwestern University Press in Evanston, Ill .

Written in English

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  • Ohl, John F,
  • Music -- History and criticism

Edition Notes

Includes bibliographical references

Book details

Statementedited by Enrique Alberto Arias ... [et al.]
ContributionsArias, Enrique Alberto, Ohl, John F
LC ClassificationsML55 .O39 2001
The Physical Object
Paginationxiii, 264 p. :
Number of Pages264
ID Numbers
Open LibraryOL17013406M
ISBN 100810115360
LC Control Number00010551

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ISBN: OCLC Number: Description: xiii, pages: illustrations ; 26 cm: Contents: John F. Ohl's biography / Enrique Alberto Arias --Part I: Chant ing a little-known chant A compendium of American musicology book Provins, Bibl. Mun.

MS 12 / Theodore Karp ; Sanctus tropes in South-Italian manuscripts, A.D. the repertory from Benevento. A Compendium of American Musicology is a collection of thirteen fascinating essays in three fields of musicology: chant studies, music from the Renaissance to the Classic Era, and source studies from the Romantic and Postromantic collection by thirteen esteemed musicologists was compiled and edited in memory of John F.

Ohl, whose career. A Compendium of American Musicology by Enrique Alberto Arias,available at Book Depository with free delivery worldwide.4/5(1).

Compendium of music. [Rome?] American Institute of Musicology, (OCoLC) Document Type: Book: All Authors / Contributors: René Descartes. Find more information about: OCLC Number: # American Institute of Musicology\/span> \u00A0\u00A0\u00A0 wdrs.

Compendium of music Volume 8 of Musicological studies and documents Volume 8 of Studies and documents Compendium of music: Author: René Descartes: Publisher: American Institute of Musicology, Original from: the University of Michigan: Digitized: Jul 4, Length: 53 pages: Subjects: Music Music theory: Export Citation: BiBTeX EndNote.

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This book was presented by the publishers to members of the American Musicological Society and the College Music Society attending the annual meetings held at the University of Michigan, Ann Arbor, December A compendium of American musicology book Concertmasters depicts their love affair with violins, their political and psychological acumen, their activism on behalf of their colleagues, and how they model ethical and professional standards.

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New books in musicology. New books of interest to musicologists are added to this page regularly. Send requests for inclusion to [email protected] (monitored by Bob Judd at the AMS office). Please include ISBN and a URL for further information whenever possible. Books shelved as musicology: The Rest Is Noise: Listening to the Twentieth Century by Alex Ross, Feminine Endings: Music, Gender, and Sexuality by Susan.

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The book lists the concepts in alphabetical order and provides the background of the concept, the branches of musicology it informs, and key scholars both in and outside the field of musicology who have contributed to the development and understanding of the by: American Musicology in the o JOSEPH KERMAN A few years ago in Contemplating Music, a book appraising musical studies in the United States and Britain, I characterized the os as a decade of disciplinary consolidation.

and the result of this team effort was an unmatched compendium of state-of-the-art musicological knowledge, using the. musicology, systematized study of music and musical style, particularly in the realm of historical research.

The scholarly study of music of different historical periods was not practiced until the 18th cent., and few published efforts were rigorously researched. Musicology, the scholarly and scientific study of German term Musikwissenschaft (“science of music”) was first employed by F.

Chrysander in in the preface to his Jahrbücher für musikalischer Wissenschaft (“Yearbook for Musical Knowledge”), in which he argued that musicology should be accepted as a science and that musical studies should aspire to the. Aspects of Orality and Formularity in Gregorian Chant.

My Sax Life. My Sax Life. René Descartes’s Compendium musicæ was one of the most widely-read texts on the mathematics of music in the second half of the seventeenth century, offering a succinct and lucid summary of its subject.

It was translated into English, French and Dutch before the end of the century — though its idiosyncratic geometrical approach to music drew criticism as well as. This site () is used only for the AMS Doctoral Dissertations in Musicology and Awards sites. For other American Musicological Society information, please see the main AMS website, Go to Doctoral Dissertations in Musicology.

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Descartes's Compendium is a link between a Pythagorean fascination with numbers and mathematical ratios, and a broader Cartesian view which adds to Pythagoreanism a universal method and a modern respectability.

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Title Contributed As Publish Date ; Compendium of American Musicology. Author: July 7, The Compendium actually began its life a few decades before its inclusion in the Sacerdotale, in as an anonymous independent music theory treatise.3 In addition to its inclusion in the Sacerdotale, it was also included in a monastic chant book called the Cantorinus as the opening of the book.

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